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playground:cosmere_crossover [2021/10/20 01:16] mary-mary_dean created |
playground:cosmere_crossover [2022/04/12 04:10] (current) mary-mary_dean |
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- | ====== Playground: Cosmere Crossover ====== | + | ====== Playground: Cosmere Crossover, or, The Thrilling Adventures of Chainsaw, Blow Boy and Oberon the Absent, a Tale in Far Too Many Parts ====== |
- | @Elias, We're making this happen. | + | @Elias, We're making this happen. I don't mind you suggesting edits to things I've written, but please at least bring it up with me first. |
@Anyone else, This is a work-in-progress (or, by the time you read this, maybe abandoned?) fanfic by Andrew and Elias: what if Origin Story took place within Brandon Sanderson' | @Anyone else, This is a work-in-progress (or, by the time you read this, maybe abandoned?) fanfic by Andrew and Elias: what if Origin Story took place within Brandon Sanderson' | ||
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==== Outline ==== | ==== Outline ==== | ||
Although I'm calling these " | Although I'm calling these " | ||
+ | |||
=== Chapter 1, The Forest === | === Chapter 1, The Forest === | ||
- | After experimenting with storing herself with Con & Eden, Mary-Mary only manages to escape from the Spiritual by traveling through Invention' | + | After experimenting with storing herself with Con & Eden, Mary-Mary only manages to escape from the Spiritual by traveling through Invention' |
+ | |||
+ | === Chapter 1.5, Yet More Forest === | ||
+ | Con, being traumatised by her disappearance, | ||
=== Chapter 2, The Silver Sky === | === Chapter 2, The Silver Sky === | ||
- | Mary-Mary and Davy find the edge of Citropolis' | + | Mary-Mary and Davy find the edge of Citropolis' |
=== Chapter 3, Shadesmar === | === Chapter 3, Shadesmar === | ||
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Fitting in with the theme of things in the Cognitive being inverted, if Davy's prison is deep underground, | Fitting in with the theme of things in the Cognitive being inverted, if Davy's prison is deep underground, | ||
+ | |||
+ | ===== The Story Itself ===== | ||
+ | ==== Chapter 1, The Tower ==== | ||
+ | [I don't like having a very in media res start, but when I tried to introduce the scene by writing out the scene that actually happened in the game where Mary-Mary plans the experiment with Eden and Con, that felt much more awkward. It still feels awkward, like too much is happening at once. I'm not sure how to fix that though, because there is a lot happening at once. I think it would be better if there was some build-up, so the reader is expecting the experiment to make a lot of weird stuff happen, but I tried that and it was even worse. I think there' | ||
+ | |||
+ | Mary-Mary held her brother' | ||
+ | |||
+ | She disappeared, | ||
+ | |||
+ | She fell a short distance to a wide metal platform, and squinted at the unexpected brightness. Not the infinite brightness of the non-place where everything exists at once, but merely the ordinary brightness of a sunny day, which is still much more than she expected. How long had she been gone? Was the apartment building she disappeared from no longer there? She took out her phone and waited for it to find a network connection to tell her when it was, while looking around at her surroundings. She was standing on an enormous gear wheel, with numerous smaller gears and mechanisms surrounding it, many of them apparently floating in the air. The machinery seemed to be at the peak of a tower, and moving off the gear to the relative safety of a nearby walkway, she could see down to a dense forest canopy below. The sky was bright silver but with no apparent sun, and clouds in various pastel hues drifted around it. Lines of smaller towers with pipes and more walkways between them stretched out in several directions from the large machine where she stood. | ||
+ | |||
+ | She checked her phone' | ||
+ | |||
+ | Wherever she was, it was clearly at least somewhat inhabited, given the machinery, although it was hard to see what such a ridiculous looking machine could actually have been built for. It was better at least than being stuck in her inventory. Unless this somehow was her inventory? She couldn' | ||
+ | |||
+ | If it was Titania, it would probably be better to look for her on the ground. Mary-Mary could see a long way from up here, but not much through the forest' | ||
+ | |||
+ | She headed down the tower' | ||
+ | |||
+ | Arriving at the top again, she was distracted once more by the strange machinery. If this place was all part of someone' | ||
+ | |||
+ | The gear's answer was stronger than she'd expected. It thought it was a building, a transport hub, a place to help people to get where they wanted. Did the tower move? That would be quite a sight. | ||
+ | |||
+ | "Can you get me where I need to go then?" | ||
+ | |||
+ | "I am old, and broken, but I still have one destination left to take you to." The gear's answer was not in words, but she could feel what it wanted, how it regretted what it had lost, and the opportunity it still presented, so she asked it one more thing. | ||
+ | |||
+ | "Take me there." | ||
+ | |||
+ | And it did. | ||
+ | |||
+ | ==== Chapter 2, The Forest ==== | ||
+ | [I feel like this end of the Perpendicularity ought to be more of an obvious feature too rather than just a point in the middle of the train station. I guess Ruin's Perpendicularity was sort of broad too, so it could just be the whole place, but then that begs the question why all the people who explored down here didn't also go through. Something something Intent? The only examples I can think of of what perpendicularities look like are Honor' | ||
+ | |||
+ | She appeared mid-step in a large damp room, and stumbled away from the broad trench in the ground she had appeared over onto a platform. Dim light filtered through stained-glass skylights, and water dripped from the ceiling, leaving trails of moss and grime on the tiled walls. The large sign on the wall waying "Old Town" and the rusted rails behind her made it clear where she'd arrived, the abandoned train station. | ||
+ | |||
+ | In quick succession, she took out an umbrella, some waterproof boots and a phone from her storage, and waited for it to connect. The time it displayed updated, and to her relief, she'd only been gone 10 minutes. She called her brother Constantine back to update him on what had happened. | ||
+ | |||
+ | "Hi, I' | ||
+ | |||
+ | Before she was even able to explain, Con interrupted, | ||
+ | |||
+ | "Yeah, I managed to get out just fine, but I think I'm in the old train station for some reason." | ||
+ | |||
+ | "We were so worried you were gone. I tried to make you appear again after a few minutes like you said, but I couldn' | ||
+ | |||
+ | "It did work though. I'm back in the city. I think I may have already been unstored by the time you tried, but I was in a weird forest instead. I'll come home in a bit but I kind of want to look around more now I'm here anyway." | ||
+ | |||
+ | Another voice came over the phone instead of Con's, Eden, who has also been drafted in to help with the experiment. "You can explore later. I think Con is in need of a hug." | ||
+ | |||
+ | "Wait, Eden, are you there too? What happened?" | ||
+ | |||
+ | "I came over to try to help when we couldn' | ||
+ | |||
+ | "Okay, sure. See you soon." | ||
+ | |||
+ | She ended the call, and looked back at the spot where she had appeared after leaving the forest. There was an awful lot still to look into, but instead she sighed and took Eden's advice to head straight home. | ||
+ | |||
+ | |||
+ | ---- | ||
+ | |||
+ | |||
+ | When she arrived back at the apartment, Eden and Con were still sitting together in his room, holding mugs of tea. Eden looked up as she arrived, and Con stood up to hug her tightly. She patted his back, trying to be reassuring. | ||
+ | |||
+ | " | ||
+ | |||
+ | He continued hugging her, and sniffled. "I thought you were gone. You have to be more careful. Please don't do that again." | ||
+ | |||
+ | "I... maybe. I know it works now, so it won't actually be dangerous if I do." | ||
+ | |||
+ | He finally pulled away. Now getting a better look at him, she could see that he had been crying. "It didn't work how you said it would though. You can't keep trying things like this." He looked up and sniffed again, exasperated and worried. " | ||
+ | |||
+ | [Did you interact with Eden much? I'm not sure if I'm getting their reaction right.] | ||
+ | |||
+ | Eden took a moment to process what had just happened before speaking, more visibly angry than before. "You need to be more careful with Con. He thought it was his fault you were gone, you know. He was doing worse than he let on to you too, like he didn't want you to worry about him or something. And what's with you now making him disappear?" | ||
+ | |||
+ | "He just doesn' | ||
+ | |||
+ | She looked around awkwardly, avoiding meeting Eden's gaze. Eventually they left, with a final admonition to be more careful. | ||
+ | |||
+ | |||
+ | ---- | ||
+ | |||
+ | The rest of the evening and all through school the following day, she couldn' | ||
+ | |||
+ | Back on the train platform, she stepped off the edge into the gap where a train would stop if the station were still in use, where she had appeared the day before. As suspected, she was transported back to the clockwork tower in Titania' |